怎么填变量：标题、灵感来源和家具类型是一组，可以换成"鹅卵石边几 / 河滩上的鹅卵石 / 边几""折纸台灯 / 一只纸鹤 / 台灯"；两种材质方案换成你想比较的材料。五个阶段的内容可以按你的真实设计过程改写，每个阶段写"要出现哪几张小图"即可。说明文字想用中文，就在开头加"所有标题和说明使用简体中文"。

示例图：浅灰底的展板，上方中间是一把像揉皱白纸一样的多折面椅子；左侧是折痕分析、折面拆解和阴影研究三张小图；中部是一排灰色的形态小模型，以及带人体侧影和三视图尺寸的图纸；右侧是钢架线框和白、灰两种外壳方案；底部是三张细节特写、一把深灰色成品椅和四层结构拆解，各处配着英文小标题。

常见问题：

• 小字密密麻麻且是乱码：写"每个阶段只有一个小标题，说明文字用灰色短线占位"。
• 各阶段挤成一团：明确写"五个阶段之间用细线和留白分隔"。
• 成品和过程图不是同一件东西：加"所有小图里的椅子与主图保持同一造型"。

适合：工业 / 家具设计作品集、设计课程汇报、概念提案 PPT、设计竞赛展板草稿。

英文原版

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Design Concept: {argument name="furniture type" default="The Crumple Chair"} Core Philosophy: Translating the "controlled chaos" of a {argument name="inspiration" default="tossed paper ball"} into a sculptural, high-comfort seating experience.\n\nStage 1: Observation & Morphological Analysis The goal is to deconstruct the image of the crumpled paper into usable geometric data. Crease Mapping: Identify the primary "valley" and "ridge" lines. These represent potential structural ribs or seams in the chair. Faceted Planes: Break down the sphere into a series of non-uniform polygons. Each flat surface of the paper becomes a potential panel for the chair’s upholstery or shell. Shadow Study: Analyze how the "tossed" form creates deep recesses. These natural pockets guide where the user’s weight will be cradled. \n\nStage 2: Iterative Form Exploration Moving from a sphere to a seat through "Digital Crumpling." Subtractive Sculpting: Imagine the paper ball as a solid mass. Use Boolean operations to "carve out" a seating cavity that fits the human form while maintaining the external jagged texture. Tension Simulation: Use 3D software (like Rhino or Blender) to simulate a flat sheet of material being compressed. This ensures the folds look authentic and not "modeled." The "Toss" Logic: Experiment with gravity-based simulation dropping a digital mesh to see how it settles naturally, mimicking the "tossed" origin. \n\nStage 3: Ergonomic Translation & Blueprinting Refining the raw aesthetic into a functional object. The Comfort Core: Overlay a standard ergonomic template (Seating Angle: 105°–110°) over the crumpled form. Adjust the internal "folds" to provide lumbar support and pressure relief. Blueprint Generation: Create technical orthographic views (Front, Side, Top). Map out the dimensions: Seat Height: 450mm Total Width: 850mm Surface Smoothing: Maintain the sharp "paper edges" on the exterior shell while softening the interior contact points for skin comfort. \n\nStage 4: Structural Integration & Scaling Making the concept physically viable. The Skeleton: Design a hidden internal frame (likely CNC-bent steel rods or a 3D-printed lattice) that follows the most prominent ridges of the paper folds to provide rigidity. Material Selection: * Option A (High-End): {argument name="material" default="Faceted, cast aluminum"} with a white powder coat. Option B (Soft): Vacuum-formed recycled plastic shell covered in "memory-fold" technical fabric that retains a wrinkled appearance. \n\nStage 5: Final Prototyping & Material Finish Textural Replication: Apply a matte, slightly porous finish to the material to mimic the tactile feel of heavy-bond paper. Lighting Contrast: Use directional studio lighting in the final renders to emphasize the "tossed" shadows, making the chair look like a giant piece of discarded inspiration. Design Tip: To keep the "tossed" look authentic, avoid symmetry.

改编自 @ShamsAmin56 发布、YouMind-OpenLab/awesome-gpt-image-2 收录的提示词，许可证 CC BY 4.0，本站已翻译并改写（修改内容见 changes）；示例图来自同一条目。