怎麼填變量：標題、靈感來源和傢俱類型是一組，可以換成"鵝卵石邊幾 / 河灘上的鵝卵石 / 邊幾""摺紙檯燈 / 一隻紙鶴 / 檯燈"；兩種材質方案換成你想比較的材料。五個階段的內容可以按你的真實設計過程改寫，每個階段寫"要出現哪幾張小圖"即可。說明文字想用中文，就在開頭加"所有標題和說明使用簡體中文"。

示例圖：淺灰底的展板，上方中間是一把像揉皺白紙一樣的多折面椅子；左側是摺痕分析、折面拆解和陰影研究三張小圖；中部是一排灰色的形態小模型，以及帶人體側影和三視圖尺寸的圖紙；右側是鋼架線框和白、灰兩種外殼方案；底部是三張細節特寫、一把深灰色成品椅和四層結構拆解，各處配着英文小標題。

常見問題：

• 小字密密麻麻且是亂碼：寫"每個階段只有一個小標題，說明文字用灰色短線佔位"。
• 各階段擠成一團：明確寫"五個階段之間用細線和留白分隔"。
• 成品和過程圖不是同一件東西：加"所有小圖裏的椅子與主圖保持同一造型"。

適合：工業 / 傢俱設計作品集、設計課程彙報、概念提案 PPT、設計競賽展板草稿。

英文原版

text
Design Concept: {argument name="furniture type" default="The Crumple Chair"} Core Philosophy: Translating the "controlled chaos" of a {argument name="inspiration" default="tossed paper ball"} into a sculptural, high-comfort seating experience.\n\nStage 1: Observation & Morphological Analysis The goal is to deconstruct the image of the crumpled paper into usable geometric data. Crease Mapping: Identify the primary "valley" and "ridge" lines. These represent potential structural ribs or seams in the chair. Faceted Planes: Break down the sphere into a series of non-uniform polygons. Each flat surface of the paper becomes a potential panel for the chair’s upholstery or shell. Shadow Study: Analyze how the "tossed" form creates deep recesses. These natural pockets guide where the user’s weight will be cradled. \n\nStage 2: Iterative Form Exploration Moving from a sphere to a seat through "Digital Crumpling." Subtractive Sculpting: Imagine the paper ball as a solid mass. Use Boolean operations to "carve out" a seating cavity that fits the human form while maintaining the external jagged texture. Tension Simulation: Use 3D software (like Rhino or Blender) to simulate a flat sheet of material being compressed. This ensures the folds look authentic and not "modeled." The "Toss" Logic: Experiment with gravity-based simulation dropping a digital mesh to see how it settles naturally, mimicking the "tossed" origin. \n\nStage 3: Ergonomic Translation & Blueprinting Refining the raw aesthetic into a functional object. The Comfort Core: Overlay a standard ergonomic template (Seating Angle: 105°–110°) over the crumpled form. Adjust the internal "folds" to provide lumbar support and pressure relief. Blueprint Generation: Create technical orthographic views (Front, Side, Top). Map out the dimensions: Seat Height: 450mm Total Width: 850mm Surface Smoothing: Maintain the sharp "paper edges" on the exterior shell while softening the interior contact points for skin comfort. \n\nStage 4: Structural Integration & Scaling Making the concept physically viable. The Skeleton: Design a hidden internal frame (likely CNC-bent steel rods or a 3D-printed lattice) that follows the most prominent ridges of the paper folds to provide rigidity. Material Selection: * Option A (High-End): {argument name="material" default="Faceted, cast aluminum"} with a white powder coat. Option B (Soft): Vacuum-formed recycled plastic shell covered in "memory-fold" technical fabric that retains a wrinkled appearance. \n\nStage 5: Final Prototyping & Material Finish Textural Replication: Apply a matte, slightly porous finish to the material to mimic the tactile feel of heavy-bond paper. Lighting Contrast: Use directional studio lighting in the final renders to emphasize the "tossed" shadows, making the chair look like a giant piece of discarded inspiration. Design Tip: To keep the "tossed" look authentic, avoid symmetry.

改編自 @ShamsAmin56 發佈、YouMind-OpenLab/awesome-gpt-image-2 收錄的提示詞，許可證 CC BY 4.0，本站已翻譯並改寫（修改內容見 changes）；示例圖來自同一條目。