怎麼填變量：[曹操] 換成任何人物、歷史事件或文化主題（"蘇軾""絲綢之路""敦煌壁畫"）；8 個知識點建議自己寫好（每條 10～20 字，如"官渡之戰：以少勝多擊敗袁紹"），比讓模型自由發揮準確得多。主體顏色模型會按主題選，也可以在"主體結構色"裏直接指定。

示例圖是一張米白拼豆底的橫版海報：左側大面積深藍色拼豆拼出的曹操側臉，從畫面邊緣湧入、邊緣呈鋸齒狀；右上方紅色大字"曹操"和副標題，周圍 8 個編號小方塊寫着人物生平、軍事成就、文學成就等，底部一條時間軸。

常見問題：

• 史實錯誤：模型生成的知識點要逐條核對，最好直接提供文本。
• 不像拼豆像普通像素：強調"圓形珠子、中心微凹、珠間有縫隙"。
• 主體太完整：保留"主體被畫面邊緣裁切、不完整"。

適合：歷史 / 語文課件、文化科普海報、展陳設計、讀書筆記封面。

原版提示詞

text
Generate a 16:9 horizontal infographic poster.

Subject: {argument name="subject" default="Pan Jinlian"}

Required Knowledge Points:
[Point 1] through [Point 8]

Visual Style Definition:
This is a structural flat infographic poster in the style of "Perler beads / fuse beads / pixel bead array." The image is composed of a large number of regularly arranged circular plastic beads, each with clear circular boundaries, a slight center indentation, uniform spacing, low-saturation plastic texture, and a stable grid order. The overall composition must maintain a front-view flat layout, resembling a public cultural infographic poster made of beads, rather than toy photography, 3D models, cartoon illustrations, or ordinary pixel art.

Core Composition:
Compress the subject into a large-scale monochromatic bead image field. The subject must surge in from the edges of the frame, crossing page boundaries and being cropped as if a larger bead media image fragment is entering the page. The subject occupies the main visual weight but is not fully presented; viewers must reconstruct the theme through silhouette, direction, missing areas, bead density, and local texture.

Subject Morphology:
The outer edges of the subject exhibit low-resolution bead steps, block fractures, hard-cut gaps, pixelated jagged outlines, missing bead cross-sections, and rough boundaries after sampling. Forbid smooth silhouettes, complete icon outlines, or realistic details. Use only different brightness levels of the same subject structural color within the body to form low-contrast image fragments, halftone noise, scan grains, material afterimages, archival textures, and local density variations.

Background and Negative Space:
The background uses a high-brightness light-colored bead field, close to unprinted paper, light creamy white plastic board, or pale grey-white bead arrays. The background is not a decorative base color but actively cuts back into the subject, forming large voids, winding channels, quiet text windows, reading pause areas, and knowledge point containers. White space must provide a sense of breath while cutting the subject's structure.

Color System:
Adopt a strict three-layer functional color scheme:
1. Light Background Field (60%–70%): Colors like old paper white, light beige, or cold grey-white for breathing and text windows.
2. Subject Structural Color (25%–35%): Defines the subject and mood. Choose based on the subject (e.g., deep blue/dark green for cold themes; ocher red/burnt orange for warm themes).
3. High-Contrast Information Color (3%–6%): Sharp colors like red, black, or bright blue for titles, numbering, and key annotations.

Infographic System:
Transform knowledge points 1 to 8 into bead information nodes (numbered labels, annotation boxes, legend blocks, coordinate lines, etc.). Nodes should be scattered along white space windows, color field boundaries, and subject gaps. Ensure a clear hierarchy of text sizes.

Typography:
Use narrow modern sans-serif fonts or monospace metadata fonts. Text must be arranged in white space windows and bottom information bars, never pressing against the center of the subject.

Bead Material:
All visual elements are made of beads. Surfaces have a matte plastic texture with slight manufacturing irregularities, faint grains, and minor wear. Structural color areas can show halftone-style density changes and a specialty overprint feel.

改編自 Diandian 發佈、YouMind-OpenLab/awesome-gpt-image-2 收錄的提示詞，許可證 CC BY 4.0，本站已翻譯並改寫（修改內容見 changes）；示例圖來自同一條目。