怎么填变量：[曹操] 换成任何人物、历史事件或文化主题（"苏轼""丝绸之路""敦煌壁画"）；8 个知识点建议自己写好（每条 10～20 字，如"官渡之战：以少胜多击败袁绍"），比让模型自由发挥准确得多。主体颜色模型会按主题选，也可以在"主体结构色"里直接指定。

示例图是一张米白拼豆底的横版海报：左侧大面积深蓝色拼豆拼出的曹操侧脸，从画面边缘涌入、边缘呈锯齿状；右上方红色大字"曹操"和副标题，周围 8 个编号小方块写着人物生平、军事成就、文学成就等，底部一条时间轴。

常见问题：

• 史实错误：模型生成的知识点要逐条核对，最好直接提供文本。
• 不像拼豆像普通像素：强调"圆形珠子、中心微凹、珠间有缝隙"。
• 主体太完整：保留"主体被画面边缘裁切、不完整"。

适合：历史 / 语文课件、文化科普海报、展陈设计、读书笔记封面。

原版提示词

text
Generate a 16:9 horizontal infographic poster.

Subject: {argument name="subject" default="Pan Jinlian"}

Required Knowledge Points:
[Point 1] through [Point 8]

Visual Style Definition:
This is a structural flat infographic poster in the style of "Perler beads / fuse beads / pixel bead array." The image is composed of a large number of regularly arranged circular plastic beads, each with clear circular boundaries, a slight center indentation, uniform spacing, low-saturation plastic texture, and a stable grid order. The overall composition must maintain a front-view flat layout, resembling a public cultural infographic poster made of beads, rather than toy photography, 3D models, cartoon illustrations, or ordinary pixel art.

Core Composition:
Compress the subject into a large-scale monochromatic bead image field. The subject must surge in from the edges of the frame, crossing page boundaries and being cropped as if a larger bead media image fragment is entering the page. The subject occupies the main visual weight but is not fully presented; viewers must reconstruct the theme through silhouette, direction, missing areas, bead density, and local texture.

Subject Morphology:
The outer edges of the subject exhibit low-resolution bead steps, block fractures, hard-cut gaps, pixelated jagged outlines, missing bead cross-sections, and rough boundaries after sampling. Forbid smooth silhouettes, complete icon outlines, or realistic details. Use only different brightness levels of the same subject structural color within the body to form low-contrast image fragments, halftone noise, scan grains, material afterimages, archival textures, and local density variations.

Background and Negative Space:
The background uses a high-brightness light-colored bead field, close to unprinted paper, light creamy white plastic board, or pale grey-white bead arrays. The background is not a decorative base color but actively cuts back into the subject, forming large voids, winding channels, quiet text windows, reading pause areas, and knowledge point containers. White space must provide a sense of breath while cutting the subject's structure.

Color System:
Adopt a strict three-layer functional color scheme:
1. Light Background Field (60%–70%): Colors like old paper white, light beige, or cold grey-white for breathing and text windows.
2. Subject Structural Color (25%–35%): Defines the subject and mood. Choose based on the subject (e.g., deep blue/dark green for cold themes; ocher red/burnt orange for warm themes).
3. High-Contrast Information Color (3%–6%): Sharp colors like red, black, or bright blue for titles, numbering, and key annotations.

Infographic System:
Transform knowledge points 1 to 8 into bead information nodes (numbered labels, annotation boxes, legend blocks, coordinate lines, etc.). Nodes should be scattered along white space windows, color field boundaries, and subject gaps. Ensure a clear hierarchy of text sizes.

Typography:
Use narrow modern sans-serif fonts or monospace metadata fonts. Text must be arranged in white space windows and bottom information bars, never pressing against the center of the subject.

Bead Material:
All visual elements are made of beads. Surfaces have a matte plastic texture with slight manufacturing irregularities, faint grains, and minor wear. Structural color areas can show halftone-style density changes and a specialty overprint feel.

改编自 Diandian 发布、YouMind-OpenLab/awesome-gpt-image-2 收录的提示词，许可证 CC BY 4.0，本站已翻译并改写（修改内容见 changes）；示例图来自同一条目。