seedance 提示詞:光學變焦運鏡教學(江南雨後古巷 · 兩人重逢 · 固定機位只靠變焦講故事)

學習"機位不動、只用光學變焦推拉"來改變人物距離感的電影運鏡:江南雨後古巷,兩位女主隔巷相望、長焦壓縮空間、移焦、一句"好久不見"。適合古風短劇、情緒片段,也是運鏡提示詞的範例。

NNathaniel bigo··轉載 原文·AI 輔助撰寫
Seedance · Seedance 2.0 16:9 對話模型通用
【全局設定】古風寫實電影鏡頭,東方古典生活敘事,雨後的[江南古鎮]:青石台階、青磚黛瓦、木廊、雕花木門、竹簾、溼漉漉的石巷。陰天柔和的漫射光,低反差,冷灰綠與暖木色交融,輕微 35mm 膠片顆粒,真實的皮膚、木、石、布料質感,電影淺景深,16:9,約 13 秒。
女主 A:@圖片1;女主 B:@圖片2。全程嚴格保持人物身份、空間位置、左右關係、行進方向、天氣、光線和色調連續。
【核心運鏡】整段只用"漸進式光學變焦":機位盡量固定,不靠移動機位,而是用緩慢連續的光學推拉改變人物在畫面中的比例和空間關係;保留真實的鏡頭壓縮感和景深變化,禁止數碼裁切。
0–4 秒:中景起幅,35mm,固定機位,平視。女主 A 沿青石台階緩緩走到巷口,停下、轉身、抬頭,看見遠處廊檐下的女主 B。鏡頭只做緩慢的光學推進,逐漸收緊到女主 A 的中景。鎮上行人從前景左右橫穿,形成自然的近距離虛化遮擋,女主 A 始終清晰。
4–9 秒:機位完全不動。女主 B 從右前景緩緩走近木廊柱,與柱子形成前景框;女主 A 在左側巷子深處。緩慢連續地變焦到長焦端,真實的空間壓縮讓古巷縱深變淺,兩人實際距離不變、視覺距離明顯拉近;焦點從女主 A 平滑地移到女主 B。
9–13 秒:保持固定機位和長焦。女主 B 站在廊柱旁,慢慢轉頭看向女主 A;只做一次極慢的光學推進,從雙人關係構圖收緊到女主 B 的中近景,畫面左側保留女主 A 虛化的輪廓。女主 B 停頓片刻,輕聲說:"[好久不見。]"露出一絲淺笑。竹簾被雨後的微風吹動,屋檐水滴落下。
禁止:橫移、環繞、突然搖鏡、無人機運動、強烈手持晃動、數碼變焦、焦段跳變、曝光閃爍、現代建築與物品、字幕、水印。

高亮處換成你自己的內容:[江南古鎮]、[好久不見。]

負面提示詞
現代建築,現代物品,橫移,環繞運鏡,數碼裁切,焦段跳變,曝光閃爍,人物換臉,左右互換,塑料皮膚,字幕,水印
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使用說明

時長與鏡頭:約 13 秒三段,全程同一個機位:廣—中景推進 → 長焦壓縮 + 移焦 → 極慢推進到中近景。這是一條"運鏡教學"型提示詞:大多數 AI 影片動不動就環繞、橫移,而這裏刻意只用光學變焦,讓"兩人距離越來越近"的情緒完全由鏡頭焦段來表達。

要點:①反覆強調"機位不動、只做光學變焦",並在禁止項裏點名橫移、環繞、無人機;②用"前景行人遮擋""廊柱前景框"製造層次;③長焦壓縮空間是真實鏡頭特性,寫出"縱深變淺、兩人視覺距離拉近",模型更容易理解你要的效果。

怎麼填變量:[江南古鎮] 可以換成"民國老街""日式小站月台""雪後的衚衕";台詞 [好久不見。] 換成任意一句短台詞。兩個人物也可以是一男一女、或者一人一寵物。

常見失敗與調整:

  • 模型還是做了推軌或環繞:把"禁止橫移、環繞"挪到提示詞最前面,並縮短總時長。
  • 兩人左右位置互換:寫"女主 A 始終在畫面左側,女主 B 始終在右側"。
  • 出現現代電線杆、空調外機:負面提示詞點名這些物體。
改編自 @GrayNoteLab 發佈、YouMind-OpenLab/awesome-seedance-2-prompts 收錄的提示詞,許可證 CC BY 4.0。

英文原版(原文較長,此處節選)(原帖為中文,以下為倉庫收錄的英文譯本)

[Global Settings]
Ancient-style realistic cinematic shot, Eastern classical life narrative, Jiangnan ancient town after rain: bluestone steps, blue bricks and black tiles, wooden corridors, carved wooden doors, bamboo curtains, wet stone alleys. Soft diffused light under cloudy skies, low contrast, fusion of cold gray-green and warm wood tones, slight 35mm film grain, realistic skin, wood, stone, and fabric textures, cinematic shallow depth of field, 8K, 16:9.

Female Lead A: Image 1
Female Lead B: Image 2

Strictly maintain character identity, spatial position, left-right relationship, direction of movement, weather, lighting, and color tone continuity throughout the video.

[Core Cinematography Technique]
The entire video uses "progressive optical zoom" as the sole core camera movement. The camera remains as fixed as possible, relying not on physical movement but on slow, continuous optical push-ins and pull-outs to change the characters' screen proportion and spatial relationships. Maintain real lens compression, depth of field changes, and optical characteristics; prohibit digital cropping. Foreground occlusion, shallow depth of field, and focus shifts assist the narrative, forming "discovery from afar -> eye contact across the alley -> spatial compression -> emotional confirmation."

[0-4s]
Medium shot start, 35mm, fixed camera, eye level. Female Lead A slowly descends along the bluestone steps to the alley entrance, stops, turns, and looks up, seeing Female Lead B under the distant corridor eaves. The shot begins with a wider environmental relationship composition, only slowly optically pushing in, gradually tightening to a medium shot of Female Lead A, with no camera movement.

Town pedestrians pass horizontally through the foreground from left and right, creating natural blurred occlusions at close range, while Female Lead A remains clear; exposure, color temperature, and light/shadow remain stable during occlusion. The zoom continues smoothly and restrainedly, finally forming an eye contact between Female Lead A and Female Lead B across the alley.

[4-9s]
Continuing from the previous segment, the camera position remains completely unchanged. Female Lead B slowly enters from the right foreground, approaching the wooden corridor pillar, forming a natural foreground frame with the pillar; Female Lead A is deep in the left-middle alley.

Slow continuous optical zoom, Female Lead A initially remains clear, then the shot gradually tightens, Female Lead B's foreground proportion increases, and Female Lead A recedes into the background with soft blur.
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